Edwin Balmer

Edwin Balmer

Keeban (1923)

Summary

Portrait of Edwin Balmer Edwin Balmer,  Keeban (1923)

“ A LADY DISCREDITS ME. She was not in bed but was lying upon it in a negligee—a silk and lace, pink and white creation which was originally no garment of grief. She was pink and white herself, except for her bobbed hair of bronze and for her big eyes which were blue. She displayed a good deal of herself, especially the beauty of her bosom; she did this not with any evident design of the moment but probably upon the general principle that it was never a disadvantageous thing for her to do.
She was alone in the room when I entered and Fred Scofield, who came up with me, dropped back at the door.
”
Source: Wikisource

Portrait of Edwin Balmer Edwin Balmer,  Keeban (1923)

“ The police turned to us when we entered.
Jerry stepped ahead of me but over his shoulder I saw Dorothy Crewe. She lay almost as if she were asleep in her pale blue dress in which she had danced that night; her hair was beautiful as ever—corn-color hair, little disarranged; her face and neck and arms were white and run with red where cuts and scratches showed. There were signs of street soil on her dress but none on her body; some one had washed them away.
"She's not dead!" Jerry cried; then, in a whisper, "How is she?"
Said the ambulance surgeon, "We don't know."
”
Source: Wikisource

Portrait of Edwin Balmer Edwin Balmer,  Keeban

“ But that dance of Shirley Scofield’s gave me a thrill.
It was a dance, almost, as she tossed and flung herself to the lilt of the song I could not hear. Perhaps you say I took my thrill from the programme which Jerry had furnished to me. Let it go at that; anyway, I got it. Youth was set on snapping her chains to-night; and it was not to be nice snapping. Not at all! Youth was wild, orgiastic, reckless and bent on being free.
I thought her over while I stood out there after her dance was done and she had disappeared. Beyond any doubt, she was Christina.
”
Source: Gutenberg

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