Summary

Eileen Power Medieval English Nunneries c. 1275 to 1535

They would force me into a convent. Nevermore then shall I see the grass grow green and the green clover flowers, nevermore hear the little birds sing. Woe it is, and dead is my joy, for they would part me from my true love, and I die of sorrow. Alas, alas for my grief, which I must bear in secret! Sisters, dear sisters, must we be parted from the world? Deepest woe it is, since I may never wear the bridal wreath and must make moan for my sins, when I would fain be in the world and would fain wear a bright wreath upon my hair, instead of the veil that the nuns wear.
Source: Gutenberg

Eileen Power Medieval English Nunneries c. 1275 to 1535

Woe and sin it is, for the children burn too. Evil has Count Raoul done, for the day before he gave his faith to Marcens that they should not lose so much as a fold of silk; and on the morrow he burned them in his wrath. In Origny, that great and rich town, the sons of Herbert, who love the place had put Marcens, Bernier’s mother, and a hundred nuns to pray to God. Count Raoul, the hot-heart, sets fire to the streets; the houses burn, the ceilings melt, the wine spills and the cellars flow with it; the bacon burns, the larders fall, the fat makes the great fire burn more fiercely.
Source: Gutenberg

Eileen Power Medieval English Nunneries c. 1275 to 1535

Why do the people see a nun only as a love-bird shut within a cage and beating its wings against the bars? Partly, no doubt, because such songs always “dally with the innocence of love”; the folk are capable of a deep melancholy, as of a gaiety which is light as thistledown; but Love is and was their lord and king, and so even the nun must be in love when they sing her. It may be, however, that there is a deeper meaning in the chansons de nonnes. The nunneries were aristocratic; the ideal of the religious life was out of the reach of women who lived among fields and beasts of the field.
Source: Gutenberg

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