Summary

Portrait of Eleanor Farjeon Eleanor Farjeon Martin Pippin in the Apple Orchard

Oh, yes, my cherry's in flower, like a crown for a bride, and the spring is all in movement, and the birds are all in song, and she—she came up the hillside with singing and dancing."
"I saw," said the crone, "and I heard. I'm not so old, young shepherd, that I do not remember the curse of youth."
"What's that?" he said moodily.
"To bear the soul of a master in the body of a slave," said she; "to be a flower in a sealed bud, the moon in a cloud, water locked in ice, Spring in the womb of the year, love that does not know itself."
"But when it does know?" said Young Gerard slowly.
Source: Gutenberg

Portrait of Eleanor Farjeon Eleanor Farjeon Martin Pippin in the Apple Orchard

Joscelyn: What! are you not ashamed to offer us a broken gift? Your story is like a cracked pitcher with half the milk leaked out. What was the secret of the Lantern, the Cloak, and the Cherry-tree?
Joyce: Who was the lovely lady, his mother? and who the old crone?
Jennifer: What was the end of the Rough Master of Coates?
Jessica: Did not the lovers drown in the floods?
Jane: And if they did not, what became of them?
"Please," said little Joan, "tell us why Young Gerard dreamed those dreams. Oh, please tell us what happened."
"Women's taste is for trifles," said Martin.
Source: Gutenberg

Portrait of Eleanor Farjeon Eleanor Farjeon Martin Pippin in the Apple Orchard

At the sound of his voice the six milkmaids rose up in the grass like golden fountains. And fountains indeed they were, for their eyes were running over with tears.
"We did not hear you coming," said little Joan.
"Go away at once!" commanded Joscelyn.
Then all the girls cried "Go away!" together.
"My apple-gold maidens," said Martin Pippin, "I entreat you to let me in. For the moon is up, and it is time to be sleeping or waking, in sweet company. So I beseech you to admit me, dear maidens—if maidens in truth you be, and not six apples bobbed off their stems."
Source: Gutenberg

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