Eleanor Gates

Eleanor Gates

Summary

Portrait of Eleanor Gates Eleanor Gates The justice of Gideon (1910)

The very morning that the lilac bush in a corner of the father’s garden showed a first cockade of purple bloom among its heart-shaped leaves, the silver bell rang for a wedding—for Paloma married Anastacio, and wore the white dress, and a ring with a pearl to guard her new gold band. And the gift of the groom to his bride was a fawn, which was to have a garden all its own. And the gift of the bride’s mother was a freshly-built house of adobe, flat-roofed, with doors that were bluer than any doors in the city of Albuquerque, and with a trellis as blue as the doors.
Source: Gutenberg

Portrait of Eleanor Gates Eleanor Gates The justice of Gideon (1910)

Padre Anzar raised his shoulders, strode over to knife and trowel and caught them up. “Move her as thou wilt,” he said grumpily, “and the farther the better. Tony is proper for us, pretty and songful. But that parrot,”—he shook his tools as if they were Loretta—“how altogether useless and ugly and noisy and blasphemous and good-for-naught!”
With this he departed into the shrubbery.
Sounds were still coming from the kitchen—Gabrielda’s cracked voice, Loretta’s cries, the sullen yowling of a cat. Nodding sadly, Padre Alonzo waddled to the perch, vacant and formed like a cross.
Source: Gutenberg

Portrait of Eleanor Gates Eleanor Gates The justice of Gideon (1910)

For before the night was half gone, the moon topped the trees, showing its great, burnished shield upon the starlit sky. And with the rising of the moon the forest thinned, the way became more level, but sandy, the walking extremely heavy, and legions of hungry mosquitoes came swarming upon them. The padre’s mule, tormented by the pests, made the middle of the track dangerous for Manuelita. She fell back, and walked in silence beside the old orderly.
Source: Gutenberg

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