Eleanor Mercein Kelly

Summary

Eleanor Mercein Kelly Why Joan?

Joan might have said with Browning:
"Let us be unashamed of soul ...
Is it in our control
To love or not to love?"
It is always the body that suggests shame; and the body had ever been a negligible part of Joan's make-up. She felt as independent of it now as if she were already spirit, floating about in space—always with this certainty of meeting there another spirit, however, and mingling with it.
This spiritual mingling was a matter she never discussed with Nikolai—the only thing in the universe, perhaps, which they did not discuss.
Source: Gutenberg

Eleanor Mercein Kelly Why Joan?

I know the things a working girl has to do and stand for. Honest to God, I'd rather see you married!" he groaned.
Unselfish devotion could go no farther, and Joan knew it.
She suddenly found herself on the verge of tears. She was tired out, mind, soul, and body. She would have liked to put her head down on his shoulder and simply cry till she was comforted. It was such a big, broad shoulder, so amply adapted to the bearing of burdens. She could make him happy, too, poor boy! One and all, people seemed to expect nothing of her but marriage—her father, Effie May, Stefan Nikolai, and now Archie.
Source: Gutenberg

Eleanor Mercein Kelly Why Joan?

Joan rather enjoyed being part and parcel of this murmuring, meandering community. She liked to feel in touch with the people about her, like any Miss Gracie or Miss Ella with a beau—particularly when it cost no effort. She had but to lend her company, and Archibald would do the rest. He asked no more from her than her presence.
Each time he came for her, Lizzie had acquired some new elegance; dust-covers, a side-mirror, a voice that sounded like a Packard's, at least. Not a car on the road exhibited brighter brasswork than hers.
Source: Gutenberg

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