Summary

Elene; Judith; Athelstan, or the Fight at Brunanburh…

The earlier period was the golden age of Old English poetry in the Northumbrian dialect, which poetry, there is good reason to think, was copied into the West-Saxon dialect, and it now remains to us only in that form; for, when the Northmen harried Northumbria, destroyed its monasteries, massacred its inhabitants, and settled in its homes, manuscripts perished, and the light of learning in Western Europe was extinguished.
Source: Gutenberg

Elene; Judith; Athelstan, or the Fight at Brunanburh…

It bent not, but the nails made grievous wounds, and it was moistened with blood. All creation wept. The corse was placed in a sepulchre of brightest stone. The crosses were buried, but the thanes of the Lord raised it begirt with gold and silver, and it should receive honor from all mankind. The Lord of Glory honored it, who arose for help to men, and shall come again with His angels to judge each one of men. Then they will fear and know not what to say, but no one need fear who bears in his heart the best of beacons. The writer is ready for his journey, and directs his prayer to the rood.
Source: Gutenberg

Elene; Judith; Athelstan, or the Fight at Brunanburh…

Brooke says (op. cit., p. 443) : "This is the last of the important poems of the eighth century. It is good, but not very good. The older part, if my conjecture be right, is the best, and its reworking by Cynewulf has so broken it up that its dignity is much damaged. The shaping is rude, but the imagination has indeed shaped it." ten Brink says (p. 53) : "Cynewulf himself has immortalized this vision in a poem, giving utterance to an irrepressible emotion, but still exhibiting the delicate lines of a beautifully designed composition."
Source: Gutenberg

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