Eliza Ruhamah Scidmore

Eliza Ruhamah Scidmore

Summary

Portrait of Eliza Ruhamah Scidmore Eliza Ruhamah Scidmore,  Winter India — Chapter 1 (1903)

“ The Tamil people, ebony black, inky black, sooty black, tall and spare to emaciation, lilted past us on the thin, spindle legs of storks. A mountain of red peppers was heaped in one white square, and scores of the blackest Tamil women, in pepper-red draperies and much silver jewelry, slowly walked and worked around its edges. It was too theatrical, too barefacedly a color tableau set to catch the tourist eye, and I was convinced that it lasted only for that half-hour. ”
Source: Wikisource

Portrait of Eliza Ruhamah Scidmore Eliza Ruhamah Scidmore,  Winter India — Chapter 1 (1903)

“ THE GREAT GOPURA MADURA TEMPLE
flat-roofed city with the great gopuras, or temple gateways, standing like so many Gibraltars in its midst. These gopuras loom and dwindle away toward the sky in such a way as to make all things seem toys, and the people pygmies. One such monument would be architectural fame for any city, but Madura's rich shrine is protected by nine such soaring, pyramidal sky-scrapers, the four in the outer wall nine stories in height.
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Source: Wikisource

Portrait of Eliza Ruhamah Scidmore Eliza Ruhamah Scidmore,  Winter India — Chapter 1 (1903)

“ The train halted near mud villages, and the station platforms were covered with lean and leisurely black folks in red and white cotton draperies, standing at ease, their foreheads so dotted and striped with red, white, and ocher caste-marks, those ciphers, crests, and hall-marks of their creed, that they looked like so many painted red Indians of our West on the war-path. There was the usual station bedlam when the train drew up in darkness at Madura, and we followed a Tamil leader out to blacker darkness across the tracks to the dak bangla. ”
Source: Wikisource

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