Elizabeth C. Barney Buel

Summary

Elizabeth C. Barney Buel The Tale of the Spinning Wheel

The spinning-wheel—symbol of the dignity of woman’s labor.—What wealth of memory gathers around the homely implement, homely indeed in the good old sense of the word—because belonging to the home. Home-made and home-spun are honorable epithets, replete with significance, for in them we find the epitome of the lives and labors of our foremothers. The plough and the axe are not more symbolic of the winning of this country from the wilderness, nor the musket of the winning of its freedom, than is the spinning-wheel in woman’s hands the symbol of both.
Source: Gutenberg

Elizabeth C. Barney Buel The Tale of the Spinning Wheel

Thus, coeval with man’s first appearance on this earth, no written page of history, no musty parchment or sculptured stone, is so old that we cannot find upon it some traces of the spindle and distaff with their tale of joys and sorrows spun into the thread by the fingers of patient women whose hearts beat as our own to-day, in tune with the common throb of humanity. Though we may strain our eyes into the darkness of prehistoric ages, when primeval woman used the tree-trunk 5 of the forest for a distaff, we will still find there some evidence of the use of flax and hemp for threads and ropes.
Source: Gutenberg

Elizabeth C. Barney Buel The Tale of the Spinning Wheel

If we ask more we need only turn to Homer, the inimitable reflector of the customs of his day. In his verse the spinner lives again, as she spins the fine white linen and gorgeous colored wool. Beautiful are the pictures she weaves into the cloth, stories of gods and demi-gods and heroes. Odysseus, entering the feasting hall of the Phæacians, is transfixed with wonder at its splendor; its seats, throughout all their length, were spread with the marvellous work of the Phæacian maidens, showing radiant in the torchlight, for the Phæacian women far exceeded all others in this household art.
Source: Gutenberg

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