Elizabeth Cleghorn Gaskell

Elizabeth Cleghorn Gaskell

Summary

Portrait of Elizabeth Cleghorn Gaskell Elizabeth Cleghorn Gaskell The Doom of the Griffiths

The copse was musical with many sounds; the warbling of birds rejoicing in its shades, the ceaseless hum of the insects that hovered over the pool, the chime of the distant waterfall, the occasional bleating of the sheep from the mountaintop, were all blended into the delicious harmony of nature.
It had been one of Owen’s favourite resorts when he had been a lonely wanderer—a pilgrim in search of love in the years gone by. And thither he went, as if by instinct, when he left Ty Glas; quelling the uprising agony till he should reach that little solitary spot.
Source: Gutenberg

Portrait of Elizabeth Cleghorn Gaskell Elizabeth Cleghorn Gaskell The Doom of the Griffiths

So the Squire felt, and hence his constrained letter which had so much increased the bitterness of Owen’s feelings.
With all this anger, when Owen saw his stepmother, he thought he had never seen so beautiful a woman for her age; for she was no longer in the bloom of youth, being a widow when his father married her. Her manners, to the Welsh lad, who had seen little of female grace among the families of the few antiquarians with whom his father visited, were so fascinating that he watched her with a sort of breathless admiration.
Source: Gutenberg

Portrait of Elizabeth Cleghorn Gaskell Elizabeth Cleghorn Gaskell The Doom of the Griffiths

Nest, in her loving anxiety to surround her dwelling with every charm for her husband’s sake, had turned gardener, and the little corners of the rude court before the house were filled with many a delicate mountain-flower, transplanted more for its beauty than its rarity. The sweetbrier bush may even yet be seen, old and gray, which she and Owen planted a green slipling beneath the window of her little chamber.
Source: Gutenberg

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