Elizabeth Stuart Phelps

Elizabeth Stuart Phelps

Summary

Portrait of Elizabeth Stuart Phelps Elizabeth Stuart Phelps,  Within the Gates

“ The horizon is low and heavy with cloud, and is defined by a tossing sea-line against which no sail appears. In the distance are cliffs, fissured by dark cuts, but these are far away, and the foreground is flat like sand or ashes, or it might be corrugated like slag. There is no vegetation visible, and no sign of organized life.
Enter Dr. Thorne. (He paces the sands, mournfully gazing about him at the lonely scenery. He murmurs, then raises his voice rhythmically, like one who quotes from an uncertain memory.)
”
Source: Gutenberg

Portrait of Elizabeth Stuart Phelps Elizabeth Stuart Phelps,  Within the Gates

“ Slow and sweet light returns softly. It is the setting of the sun. The perspective of the Heavenly City and spirits are as before. The grim scenery surrounding the mouth of the River of Death has given place to a fair meadow, sunny and open. Some of the boulders remain, and the path which cut through the ravine now runs across the field. Clumps of trees and thick shrubs break the space between the foreground and the distant spirits, and the path turns a curve through a thicket of roses. Lilies as before grow higher than any other flowers, and nearer to the eye. ”
Source: Gutenberg

Portrait of Elizabeth Stuart Phelps Elizabeth Stuart Phelps,  Within the Gates

“ Thorne and Mrs. Fayth unclasp hands, and stand side by side, silently in the moonlight. A certain remoteness overtakes their manner. Each is drowned in thought in which the other has no share. The Serenade is heard again. Mrs. Fayth, with a mute, sweet gesture of farewell, glides gravely away. Dr. Thorne does not seek to detain her. ”
Source: Gutenberg

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