Elizabeth Von Arnim

Elizabeth Von Arnim

Summary

Portrait of Elizabeth Von Arnim Elizabeth Von Arnim Christopher and Columbus

If one could imagine a lily turned into a god, or a young god turned into a lily and walking down the middle of a sun-flecked Californian lane, it wouldn't be far out, thought Mr. Twist, as an image of the advancing Twinkler. The god would be so young that he was still a boy, and he wouldn't be worrying much about anything in the past or in the future, and he'd just be coming along like that with the corners of his mouth a little turned up, and his fair hair a little ruffled, and his charming young face full of a sober and abstracted radiance.
Source: Gutenberg

Portrait of Elizabeth Von Arnim Elizabeth Von Arnim Christopher and Columbus

We've never been able to open our mouths. We've been taken into the field for our airing and brought in again as if we were newborns, or people in prams, or flocks and herds, or prisoners suspected of wanting to escape. We haven't had a minute to ourselves day or night. There hasn't been a single exchange of ideas, not a shred of recognition that we're grown up. We've been followed, watched, talked to—oh, oh, how awful it has been! Oh, oh, how awful! Forced to be dumb for days—losing our power of speech—"
"Anna-Rose Twinkler," interrupted Mr. Twist sternly, "you haven't lost it.
Source: Gutenberg

Portrait of Elizabeth Von Arnim Elizabeth Von Arnim Christopher and Columbus

Houses have their expressions, their distinctive faces, very much as people have, meditated Mr. Twist the morning of the opening, as he sat astride a green chair at the bottom of the little garden, where a hedge of sweetbriar beautifully separated the Twinkler domain from the rolling fields that lay between it and the Pacific, and stared at his handiwork; and the conclusion was forced upon him—reluctantly, for it was the last thing he had wanted The Open Arms to do—that the thing looked as if it were winking at him.
Source: Gutenberg

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