Summary

Ellen Wallace Margaret Capel: A Novel, vol. 2 of 3

Haveloc drew a low chair close to hers and began to examine them also.
"Ah!" said Aveline, looking up, "I was just going to advise you to address yourself to sculpture. It is the finest of all the arts."
"Do you place it above poetry?" he asked.
"Sculpture is poetry," said Aveline eagerly, "only it is a universal language. It is the highest art. It is profaned as every thing in these days is profaned, by the language of ridicule and burlesque. But everything in sculpture that is not addressed to the most ideal feelings, becomes disagreeable. The ideal is the atmosphere of sculpture.
Source: Gutenberg

Ellen Wallace Margaret Capel: A Novel, vol. 2 of 3

Fitzpatrick, "what a beautiful thing it is!"
"Yes, a pretty toy," returned Aveline listlessly, "but I prefer a fishing boat, I think my sympathies go rather with the poor, than with the rich. What tales of the still magnificence of moonlight nights, what adventures, what perils of winds and storms are connected with the meanest of those little vessels. And the watchful wife, and the sleeping unconscious children, during those rough dark nights, while the father is out toiling for their bread. I do not like the gentry of our day, mamma; all the poetry is on the side of these poor folks."
Source: Gutenberg

Ellen Wallace Margaret Capel: A Novel, vol. 2 of 3

Haveloc. "I should not care about it in winter."
"But it is in winter," said Aveline, "that the waves are so rough; you should see them running against that headland on a stormy night; when you catch a glimpse of the foam tossed high against the very peak of the rock there, just when the wind has torn the clouds asunder, and let out a glimpse of the moon for an instant. I would not miss the sea in winter time. And then the hoarse sound of the waves on the shingles grows louder when mixed up with the boisterous north wind.
Source: Gutenberg

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