Summary

J. D. Beresford The Prisoners of Hartling

Yet even when they had reached the summit of the hill that marked the limit of their journey, Eleanor still hesitated.
She was sitting on the grass, leaning a little backward and supporting herself on the out-thrown struts of her arms and hands. Arthur lay on the ground a few feet away from her. Both of them were looking out across the weald to the broad, blue contours of the South Downs that determined their horizon, and hid the foundations of the massed and shining range of cumulus, slowly setting beyond.
Source: Gutenberg

J. D. Beresford The Prisoners of Hartling

It was not yet ten o'clock, twilight still lingered in the garden, and the air was sweet with the aftermath of the perfumes that lilac and pinks and honeysuckle had been giving out so generously during the day, and that were now being refined by the fresh, cool scents of the night. To Arthur it seemed that in such a garden as this was attained the ultimate triumph of the liaison between nature and cultivation. Everything that grew here was the result of the sympathetic collaboration between man and the wild, of art using the natural forces of the world itself in the technique of its design.
Source: Gutenberg

J. D. Beresford The Prisoners of Hartling

Poor old Mrs Turner; it had not occurred to him that she would be so upset by her son's departure for South Africa. He was, as a matter of fact, lucky to have broken away; but to the Kenyons, no doubt, the evils of the outer world appeared altogether monstrous compared with the securities of Hartling.
He had no hesitation now as to where he should seek Eleanor. Unless she had gone out without him—a ghastly alternative that he refused to believe—she must be upstairs somewhere in old Mr Kenyon's private suite.
Source: Gutenberg

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