Summary

Portrait of Emerson Hough Emerson Hough Maw's Vacation: The Story of a Human Being in the Yellowstone

The best of all vacations is to see someone else having a vacation who never has had a vacation before in his or her life. The delight of Maw in this new phase of her existence has been my main delight for many a week in the months spent, not so much in watching geysers as in watching Maw. Sometimes I steal away from the pleadings of the saxophone, leaving even Stella O'Cleave with the slumberous eyes sitting alone at the log rail of Old Faithful Inn.
Source: Gutenberg

Portrait of Emerson Hough Emerson Hough Maw's Vacation: The Story of a Human Being in the Yellowstone

The lights on these hills are such as she did not see in Ioway, or even in Nebraska, when she went there once, time Mary's baby was born. The clouds are so strange to Maw, their upturned edges so very white against the black body of their over-color. And the rains that come, with hail—but here you don't need worry, for there are no crops for the hail to spoil. And sometimes in the afternoon, never during the splendor of the mellow morning such as Maw never before has seen, comes the lightning and rips the counterpane of clouds to let the sun shine through.
Source: Gutenberg

Portrait of Emerson Hough Emerson Hough Maw's Vacation: The Story of a Human Being in the Yellowstone

Speaking of the midnight and the music, sometimes I go over to the hotel to tread a measure with Stella O'Cleave, able for a moment to forget Stella's father in the opulent beauty of Stella herself. Her mother is what is called a fine figure of a woman, and so will Stella be some day. Sometimes, when we have left the dance floor to sit along the rail where the yellow cars will line up next morning to sweep Stella away within a day after she and her putties have come into my young life, I may say that I find Stella O'Cleave not difficult to look upon.
Source: Gutenberg

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