Summary

Portrait of Emerson Hough Emerson Hough The Red Book Magazine, Volume 37… (1921)

She knew that our hour had come.
Suzanne!” I whispered again; for now I had her hands in mine, and had drawn her up, so that we stood there in the most ancient and admirable spot of all our continent, alone. And what went forward among the silent cypresses was, I take it, the most ancient and admirable thing in all our universe.
I turned her face to mine. In the clear air I could see deep into her eyes—deep blue eyes—unfathomable as yonder sea. Eyes that at last looked into mine, without doubt or resentment or uncertainty.
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Portrait of Emerson Hough Emerson Hough The Red Book Magazine, Volume 37… (1921)

But Suzanne—why, if she had no doubts or anxieties, should she find attunement of mood and landscape here?
I saw nothing when I approached along the motor road at the crest. It was instinct alone that prompted me to leave my car at a certain point and hurry over the brow of the hill to the little flat space which lies below it, fronting the sea as through an open window, in what I think as the most beautiful picture in all the world, framed in the giant trees that hang upon the very rim.
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Portrait of Emerson Hough Emerson Hough The Red Book Magazine, Volume 37… (1921)

When I fenced with Suzanne in my room at the Yellowstone, I looked straight into her eyes. They were blue eyes—gray-blue when she frowned in the assault, blue of divine softness when she dropped her foil and came to take my face in her two hands; eyes of such blue are not given to many women, customarily to those infinitely loyal, infinitely tender, infinite steadfast and changeless. Eyes such as a man must love forever and ever!
Source: Wikisource

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