Summary

Portrait of Emma Goldman Emma Goldman My further disillusionment in Russia (1924)

Not hatred, but unity; not antagonism, but fellowship; not shooting, but sympathy—that is the lesson of the great Russian débâcle for the intelligentsia as well as the workers. All must learn the value of mutual aid and libertarian coöperation. Yet each must be able to remain independent in his own sphere and in harmony with the best he can yield to society. Only in that way will productive labour and educational and cultural endeavour express themselves in ever newer and richer forms. That is to me the all-embracing and vital moral taught by the Russian Revolution.
Source: Gutenberg

Portrait of Emma Goldman Emma Goldman My further disillusionment in Russia (1924)

On the other hand, the dreadful existence—hunger, cold, and darkness—was sapping the life of the people. Gloom and despair by day, congestion, lack of light and heat at night, and no escape from it all. There was, of course, the political life of the Communist Party—a life stern and forbidding, a life without colour or warmth. The masses had no contact with or interest in that life, and they were not permitted to have anything of their own. A people bottled up is a menace.
Source: Gutenberg

Portrait of Emma Goldman Emma Goldman My further disillusionment in Russia (1924)

Yet in the greatest upheaval in the world’s history no one has come forward with pen or brush or lyre to give artistic expression to the miracle or to set to music the storm that carried the Russian people forward. Works of art, like new-born man, come in pain and travail. Verily the five years of Revolution should have proved very rich spiritually and creatively. For in those years the soul of Russia has gone through a thousand crucifixions. Yet in this regard Russia was never before so poor and desolate.
Source: Gutenberg

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