Summary

Portrait of Emma Marshall Emma Marshall Bristol Bells: A Story of the Eighteenth Century

I must warn Bryda to be careful. All the queer stories about him are true, I daresay; but, after all, he is only a boy—sixteen at the most—and I am twenty. Hang that jeweller's shop! I think I will cut it, and go off in one of these big ships—make a fortune in America—and then—then—'
Ah! Jack Henderson, what then? Your simple soul has its dreams as you stand by that mighty rushing river, under the giant rocks, and your dreams are sweet, sweeter than those of the marvellous boy who has just left you to return to the hated drudgery of Mr Lambert's office in Corn Street.
Source: Gutenberg

Portrait of Emma Marshall Emma Marshall Bristol Bells: A Story of the Eighteenth Century

Oh, take it away, Silas,' Bryda exclaimed; 'I cannot bear to see anything dead. Come away, Betty,' she entreated.
'There, there, Miss Biddy, don't take on. I'll carry it off, and don't trouble your heads no more about it. We've all got to die, and the lamb is no worse off than we. Can't say but I am sorry though,' Silas said, in a softer tone, as he picked up the dead lamb. 'I'd sooner see it frisking about in the meadow yonder than lying so cold and quiet.'
And then Silas, in his smock frock and wide hat, strode away over gorse and heather, and left the sisters alone.
Source: Gutenberg

Portrait of Emma Marshall Emma Marshall Bristol Bells: A Story of the Eighteenth Century

Away, far away, the blue mountains of the Welsh coast stood out against the clear sky, and the sloping sides of the Mendips, where Dundry Tower [Pg 133] stands like a sentinel on guard over the city, were bathed in the soft radiance of the April day, while now and again the chime of bells was borne on the breeze.
For some minutes both were silent, Jack toying with the small pebbles at his feet, Bryda gazing out at the hills where her home lay hid, and forgetting poor Jack's presence in her own meditation. Jack was the first to break the silence.
Source: Gutenberg

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