Thomas Chatterton

Thomas Chatterton

Summary

Portrait of Thomas Chatterton Thomas Chatterton,  The Rowley Poems

“ In short, this clever imaginative lad had evolved before he was sixteen such a mass of literary and quasi-historical matter of one kind or another that his fictitious circle of men of taste and learning (living in the dark and unenlightened age of Lydgate and the other tedious post-Chaucerians) may with study become extraordinarily familiar and near to us, and was certainly to Chatterton himself quite as real and vivid as the dull actualities of Colston's Hospital and the Bristol of his proper century. ”
Source: Gutenberg

Portrait of Thomas Chatterton Thomas Chatterton,  The Rowley Poems

“ Now even had his authorities been well informed, which they were not by any means, and had Chatterton never misread or misunderstood them, which he very frequently did, it was impossible that his work should have been anything better than a mosaic of curious old words of every period and any dialect. Old English, Middle English, and Elizabethan English, South of England folk-words or Scots phrases taken from the border ballads—all were grist for Rowley's mill. It is only fair to say that he seldom invented a word outright, but he altered and modified with a free hand. ”
Source: Gutenberg

Portrait of Thomas Chatterton Thomas Chatterton,  The Rowley Poems

“ If he is sometimes crude and immature in thought and expression—if his images sometimes weary by their monotony—it is accepted that a poet is to be judged by his highest and not his lowest; and Chatterton's best work has an inspiration, a singular and unique charm both of thought and of music that is of the first order of English poetry. ”
Source: Gutenberg

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