Summary

Portrait of Epes Sargent Epes Sargent Peculiar: A Tale of the Great Transition (1863)

Clara was dressing. When, that morning, she came in from her walk, she thought intently on her situation, and at last determined on a new line of policy. Instead of playing the humble companion and shy recluse, she would now put forth all her powers to dazzle and to strike. She would, if possible, make friends, who should protest against any arbitrary claim that Ratcliff might set up. She would vindicate her own right to freedom by showing she was not born to be a slave. All who had known her should feel their own honor wounded in any attempt to injure hers.
Source: Gutenberg

Portrait of Epes Sargent Epes Sargent Peculiar: A Tale of the Great Transition (1863)

The master has an unlimited, irresponsible power over the slave, from childhood up,—can force him to act as he wills, however conscience may protest! The slave may be compelled to commit crimes or to reconcile himself to wrongs, familiarity with which may render his soul, like his body, the mere unreasoning, impassive tool of his master. And yet a bishop is found to try to cozen Cuffee out of the little common sense slavery may have left him, by telling him he is responsible for that soul, which may be stunted, soiled, perverted in any way avarice or power may choose.
Source: Gutenberg

Portrait of Epes Sargent Epes Sargent Peculiar: A Tale of the Great Transition (1863)

Thus, from his earliest years, lying and fraud become legitimate and praiseworthy in the slave’s eyes; for slavery, except under rare conditions, crushes out the moral life in the victim.
Any conscience he may have, being subordinate to the conscience of his master, is kept stunted or perverted. The slave may wish to be true to his wife; but his master may compel him to repudiate her and take another. He may object to being the agent of an injustice; but the snap of the whip or the revolver may be the reply to any conscientious scruples he may offer against obedience.
Source: Gutenberg

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