Summary

Portrait of Ethel Turner Ethel Turner Seven Little Australians — VII … (1912)

But in this land of youthfulness it is the rule more frequently than the exception, and herein lies the chief defect of the very young Australian girl. She is like a peach, a beautiful, smooth, rich peach, that has come to ripeness almost in a day, and that hastens to rub off the soft, delicate bloom that is its chief charm, just to show its bright, warm colouring more clearly. Aldith had, to her own infinite satisfaction, brushed away her own "bloom," and was at present busily engaged in trying to remove Meg's, which was very soft and lovely before she touched it.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — VII … (1912)

But she grew a trifle thin and large-eyed, and used to make copious notes in her diary every night, and to write a truly appalling quantity of verses, in which "heart" and "part," "grieve" and "leave," "weep" and "keep," and "sigh" and "die," were most often the concluding words of the lines. She endured Andrew for several reasons. He was Alan's brother for one thing, and was always saying things about "old Al," and recording his prowess on the football field; and Aldith might discover her secret if she gave him the cold shoulder altogether.
Source: Wikisource

Portrait of Ethel Turner Ethel Turner Seven Little Australians — VII … (1912)

Now a heroine may have the largest, deepest, and most heavily-lashed eyes imaginable; she may have hair in very truth like the gold "mown from a harvest's middle floor;" she may have lips like cherries and teeth like pearls, and a red nose will be so utterly fatal that all these other charms will pass unnoticed. It cost Meg real anguish of spirit. She carefully read all the Answers to Correspondents in the various papers Aldith lent her in search of a remedy, but nearly everyone seemed to be asking for recipes to promote the growth of the eyelashes or to prevent embonpoint.
Source: Wikisource

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