F. Hopkinson Smith

F. Hopkinson Smith

Tom Grogan (1896)

Summary

Portrait of F. Hopkinson Smith F. Hopkinson Smith,  Tom Grogan (1896)

“ Tom had listened with eyes dilating, every nerve in her body at highest tension. Her contempt for Rowan in his abuse of her; her anger against Dempsey at his insults; her gratitude to Babcock as he stood up to defend her; her fears for the outcome, as she listened to the calm, judicial voice of the judge,—each producing a different sensation of heat and cold,—were all forgotten in the wild rush of joy that surged through her as the judge's words fell upon her ear. She shed no tears, as other women might have done. Every fibre of her being seemed to be turned to steel. ”
Source: Wikisource

Portrait of F. Hopkinson Smith F. Hopkinson Smith,  Tom Grogan (1896)

“ Cully heard his cries, and ran through the yard to meet him, his anger rising at every step. To lay hands on Patsy was, to Cully, the unpardonable sin. Ever since the day, five years before, when Tom had taken him into her employ, a homeless waif of the streets,—his father had been drowned from a canal-boat she was unloading,—and had set him down beside Patsy's crib to watch while she was at her work, Jennie being at school, Cully had loved the little cripple with the devotion of a dog to its master. ”
Source: Wikisource

Portrait of F. Hopkinson Smith F. Hopkinson Smith,  Tom Grogan (1896)

“ It was always what Tom would have thought. Why should a poor crazy cripple like her husband, shut up in an asylum, make trouble for Jennie?
When the light faded and the trees grew indistinct in the gloom, Tom still sat where Pop had left her. Soon the shadows fell in the little valley, and the hill beyond the cedars lost itself in the deepening haze that now crept in from the tranquil sea.
Carl's voice calling to Cully to take in the Gray roused her to consciousness. She pushed back her chair, stood for an instant watching Carl romping with Patsy, and then walked slowly toward the stable.
”
Source: Wikisource

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