F. Scott Fitzgerald

F. Scott Fitzgerald

Summary

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald,  Tender Is the Night (1934)

“ A surplus of waiters precluded the stir and bustle that even a few busy men can create; over the scene as its form of animation brooded an air of waiting for something, for the dance, the night, the balance of forces which kept it stable, to cease. It assured the impressionable guest that whatever he was seeking he would not find it here.
This was plain as plain to Dick. He looked around, hoping his eye would catch on something, so that spirit instead of imagination could carry on for an hour. But there was nothing and after a moment he turned back to Collis.
”
Source: Gutenberg

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald,  Tender Is the Night (1934)

“ When, as at the ball of the Corps des Pages the night before, the surroundings seemed formidable to Rosemary, who had yet to attend a Mayfair party in Hollywood, Dick would bring the scene within range by greeting a few people, a sort of selection--the Divers seemed to have a large acquaintance, but it was always as if the person had not seen them for a long, long time, and was utterly bowled over, "Why, where do you keep yourselves?"--and then re-create the unity of his own party by destroying the outsiders softly but permanently with an ironic coup de grâce. ”
Source: Gutenberg

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald,  Tender Is the Night (1934)

“ When they were installed on the ground floor she walked into the glare of the French windows and out a few steps onto the stone veranda that ran the length of the hotel. When she walked she carried herself like a ballet-dancer, not slumped down on her hips but held up in the small of her back. Out there the hot light clipped close her shadow and she retreated--it was too bright to see. Fifty yards away the Mediterranean yielded up its pigments, moment by moment, to the brutal sunshine; below the balustrade a faded Buick cooked on the hotel drive. ”
Source: Gutenberg

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