Summary

Portrait of Florence Earle Coates Florence Earle Coates Matthew Arnold — A later estimate…

The exceeding sadness is part of the charm, and we are grateful for the depth and power of the emotions such poems excite,—for their lasting hold upon the imagination and the heart, for their purifying and uplifting influence.
⁠"All men of genius," says Aristotle, "are of a nature originally melancholy." This judgment may have applied to Arnold, but, if so, he had not only conquered for himself hope and cheerfulness, but that charming gaiety which makes Birrell declare that, wherever he chanced to be, he always conspired and contrived to make things pleasant.
Source: Wikisource

Portrait of Florence Earle Coates Florence Earle Coates Matthew Arnold — A later estimate…

In the penetrating charm of his style, the rare and irresistible loveliness of his verse, the truth and delicacy of his intuitions, the freshness and glow, the distinction, the incommunicable magic of his poetical expression, he has no living peer. Using the words he wrote of another,—"Let us bid him farewell in confidence and pride. Slowly, very slowly, his ideal of lucidity of mind and largeness of temper conquers; but—it conquers."
Source: Wikisource

Portrait of Florence Earle Coates Florence Earle Coates Matthew Arnold — A later estimate…

He took his share in the daily drudgery of the world, and brought to it sweetness and light. He cared for the beauty of the natural world, but he cared far more for the landscape of the soul of man." In writing of the Obermann poems, says Dr. Brooke: "I may dwell here on their charm—charm of grave thought, ranging far and wide, charm of word and phrase, and charm of natural description. The very atmosphere of that lovely land where so many hearts have been healed—the flower-haunted meadows, the shimmering lake below, the blue hills, the far-off snows—is in the loving verse
Source: Wikisource

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