Summary

Fowl The First Book of Eve

Few artists, however, have more quickly sprung into world-wide popularity than “Eve.” How great this popularity is may be judged by the numerous imitators which, while they copy many of Eve’s mannerisms, lose all that humour and spirit which make of Eve’s art such a fascinating and irresistible thing. For Eve possesses a gift which cannot be imitated, no matter how clever the artist who imitates her may be. Each person’s sense of humour—or lack of it—belongs to them alone. And it is Eve’s humour which make her delightful drawings so appealing.
Source: Gutenberg

Fowl The First Book of Eve

But in judging these fascinating drawings merely from the point of view of their humour and charm, one is apt to overlook the fact that Eve—while possessing a style which is unique—is also, and at the same time, a designer of remarkable gifts. It is, perhaps, as a designer that she will appeal most greatly to an artist. Each of her drawings is an exquisite example of this gift for design.
Source: Gutenberg

Fowl The First Book of Eve

Another thing about all her drawings is their feminine daintiness. Each design is as dainty as the heroine who appears in nearly all of them. With a few strokes, a dot here and there, a line, she can suddenly bring before our eyes a perfectly-recognisable type. In this way her gifts are superior even to Phil May, who surely, more than many artists, obtained his effects with the least number of unessentials.
Moreover, Eve never draws what I must call a “dead” figure. Everyone—everything, almost—is alive. Her animals—burlesques of animals though they be—are full of character and fun.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature