Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/The New Adam and Eve (1854)

The east puts on its immemorial blush, although no human eye is gazing at it; for all the phenomena of the natural world renew themselves, in spite of the solitude that now broods around the globe. There is still beauty of earth, sea, and sky, for beauty's sake. But soon there are to be spectators. Just when the earliest sunshine gilds earth's mountain-tops, two beings have come into life, not in such an Eden as bloomed to welcome our first parents, but in the heart of a modern city. They find themselves in existence, and gazing into one another's eyes.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/The New Adam and Eve (1854)

They are pleased with the glow of gems; and Adam twines a string of beautiful pearls around the head of Eve, and fastens his own mantle with a magnificent diamond brooch. Eve thanks him, and views herself with delight, in the nearest looking-glass. Shortly afterward, observing a bouquet of roses and other brilliant flowers in a vase of water, she flings away the inestimable pearls, and adorns herself with these lovelier gems of nature. They charm her with sentiment as well as beauty.
"Surely they are living beings," she remarks to Adam.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/The New Adam and Eve (1854)

Nature finds nothing else to offer her. Adam, after staring up and down the street without detecting a single object that his comprehension can lay hold of, finally turns his forehead to the sky. There, indeed, is something which the soul within him recognizes.
"Look up yonder, mine own Eve," he cries; "surely we ought to dwell among those gold-tinged clouds or in the blue depths beyond them.
Source: Wikisource

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