Frank Warner, Richard Snow and Arthur Mellor

Summary

Frank Warner, Richard Snow and Arthur Mellor 1911 Encyclopædia Britannica (1911)

A voluminous ancient literature testifies not only to the antiquity but also to the importance of Chinese sericulture, and to the care and attention bestowed on it by royal and noble families. The Chinese guarded the secrets of their valuable art with vigilant jealousy; and there is no doubt that many centuries passed before the culture spread beyond the country of its origin. Through Korea a knowledge of the silkworm and its produce reached Japan, but not before the early part of the 3rd century.
Source: Wikisource

Frank Warner, Richard Snow and Arthur Mellor 1911 Encyclopædia Britannica (1911)

The silk-waste spinner receives his silk in quite a different form: merely the raw material, packed in bales of various sizes and weights, the contents being a much-tangled mass of all lengths of fibre mixed with much foreign matter, such as ends of straws, twigs, leaves, worms and chrysalis. It is the spinner’s business to straighten out these fibres, with the aid of machinery, and then to so join them that they become a thread, which is known as spun silk.
Source: Wikisource

Frank Warner, Richard Snow and Arthur Mellor 1911 Encyclopædia Britannica (1911)

Silk, we have seen, loses about one-fourth of its weight in scouring. To obviate that loss it has long been the practice to dye some dark silks “in the gum,” the dye combining in these cases with the gum or gelatinous coating, and such silks are known as “souples.” Both in the gum and in the boiled-off state silk has the peculiar property of imbibing certain metallic salts largely and combining very firmly with them, the fibre remaining to external appearance undiminished in strength and lustre, but much added to in size and weight.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature