Summary

Portrait of G. K. Chesterton G. K. Chesterton Creatures That Once Were Men

It may be, to take an example, that our modern Europe is so exhausted that even the vigorous expression of that exhaustion is difficult for every one except the most robust. It may be that all the nations are tired; and it may be that only the boldest and breeziest are not too tired to say that they are tired. It may be that a man like Ibsen in Norway or a man like Gorky in Russia are the only people left who have so much faith that they can really believe in scepticism.
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton Creatures That Once Were Men

This story is a test case of the Russian manner, for it is in itself a study of decay, a study of failure, and a study of old age. And yet the author is forced to write even of staleness freshly; and though he is treating of the world as seen by eyes darkened or blood-shot with evil experience, his own eyes look out upon the scene with a clarity that is almost babyish. Through all runs that curious Russian sense that every man is only a man, which, if the Russians ever are a democracy, will make them the most democratic democracy that the world has ever seen.
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton Creatures That Once Were Men

A country like Russia has far more inherent capacity for producing revolution in revolutionists than any country of the type of England or America. Communities highly civilised and largely urban tend to a thing which is now called evolution, the most cautious and the most conservative of all social influences. The loyal Russian obeys the Czar because he remembers the Czar and the Czar's importance. The disloyal Russian frets against the Czar because he also remembers the Czar, and makes a note of the necessity of knifing him.
Source: Wikisource

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