G. K. Chesterton

G. K. Chesterton

Summary

Portrait of G. K. Chesterton G. K. Chesterton The Man With Two Beards (1925)

Now even when Michael was a master criminal he made it a point of honor, even a point of vanity, to succeed without any killing. It seemed extraordinary that when he had become a sort of saint he should go out of his way to commit the sin he had despised when he was a sinner. The rest of the business puzzled me to the last; I could make nothing out of it, except that it wasn't true. Then I had a belated gleam of sense when I saw the beard and goggles and remembered the thief had come in another beard with other goggles.
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton The Man With Two Beards (1925)

While the peasant will remember an outlaw like Robin Hood or Rob Roy for centuries, the clerk will hardly remember the name of the criminal about whom he argued in trams and tubes two years before. Yet Michael Moonshine had really shown some of the heroic rascality of Rob Roy or Robin Hood. He was worthy to be turned into legend and not merely into news. He was far too capable a burglar to be a murderer.
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton The Man With Two Beards (1925)

You know the man who did it—John Bankes.”
“The very last man I should have thought of,” said Devine.
“The very first man I thought of,” said Father Brown; “in so far as I had any right to think of anybody. My friend, there are no good or bad social types or trades. Any man can be a murderer like poor John; any man, even the same man, can be a saint like poor Michael. But if there is one type that tends at times to be more utterly godless than another, it is that rather brutal sort of business man. He has no social ideal, let alone religion
Source: Wikisource

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