G. K. Chesterton

G. K. Chesterton

Summary

Portrait of G. K. Chesterton G. K. Chesterton,  William Blake (1920)

“ Against all this emasculate mysticism Blake like a Titan rears his colossal figure and his earthquake voice. Through all the cloud and chaos of his stubborn symbolism and his perverse theories, through the tempest of exaggeration and the full midnight of madness, he reiterates with passionate precision that only that which is lovable can be adorable, that deity is either a person or a puff of wind, that the more we know of higher things the more palpable and incarnate we shall find them; that the form filling the heavens is the likeness of the appearance of a man. ”
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton,  William Blake (1920)

“ The mystic does not bring doubts or riddles: the doubts and riddles exist already. We all feel the riddle of the earth without anyone to point it out. The mystery of life is the plainest part of it. The clouds and curtains of darkness, the confounding vapours, these are the daily weather of this world. Whatever else we have grown accustomed to, we have grown accustomed to the unaccountable. Every stone or flower is a hieroglyphic of which we have lost the key; with every step of our lives we enter into the middle of some story which we are certain to misunderstand. ”
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton,  William Blake (1910)

“ The whole point of Impressionism is to say that there is no white cow at all. What can we tell, it cries, beyond what we can see? But the essence of Mysticism is to insist that there is a white cow, however veiled with shadow or painted with sunset gold. Blessed are they who have seen the violet cow and who yet believe in the white one. To the mystic a white cow has a sort of solid whiteness, as if the cow were made out of frozen milk. To him a white horse has a solid whiteness as if he were cut out of the firm English chalk, like the White Horse in the valley of King Alfred. ”
Source: Gutenberg

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