Summary

James Thomson Shelley, a poem, with other writings relating to Shelley… (1884)

Were the most of us born deaf, we should reprobate as obscure and mystical those gifted men who dilated upon the ravishment of music. And to the ideal or spiritual harmonies, perfect and eternal, to whose rhythm and melody the universe is attuned, so that it is fitly named Cosmos,—to these we are most of us deaf; and whoever with reverence and love and rapture is devoted to their celebration—be it Plato or Swedenborg, Emerson or Shelley—shall for ever to the great mass be as one who is speaking in an unknown tongue, or who is raving of phantasies which have no foundation in reality.
Source: Wikisource

James Thomson Shelley, a poem, with other writings relating to Shelley… (1884)

He devoted himself heart and mind to the doctrine of the perfectibility of human nature; an intrinsic perfectibility to eventuate in a heaven on earth realised by the noble endeavours of man himself; not that which is complacently patronised by many so-called Christians, who are agreed to die and accept a perfect nature as a free gift, when they can no longer live imperfect. As if the severe laws of the universe permitted partial gifts, any more than they permit gainful robberies! Though I must consider Shelley mistaken in this belief, I yet honour and not blame him for it.
Source: Wikisource

James Thomson Shelley, a poem, with other writings relating to Shelley… (1884)

In the purity of our fervent youth I think we all consecrate ourselves to an early death; but the gods cannot love us all with a partial love, and most of us must dwindle down through age and decrepitude into the grave. But Shelley, while singing of the Millennial Future, and chanting the beatitudes of our free and pure and love-united posterity, knew with undeceiving prescience that he could not live to see even the first straight steps taken towards the glorious goal.
Source: Wikisource

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