Summary

Georg von Bunsen Encyclopædia Britannica, Ninth Edition (1878)

Bunsen soon became the acknowledged though unobtrusive centre of a chosen band of students, few only of whom have failed to attain that reputation to which their abilities seemed to call them, or that degree of public usefulness to which in an hour of genuine enthusiasm they one and all vowed to aspire. “Right royal in all his ways,” as a poet has fitly described him, he sympathized with the favourite pursuits of each, wrestled with all, made them to love each other, and held high among them the ideals of youth and of science.
Source: Wikisource

Georg von Bunsen Encyclopædia Britannica, Ninth Edition (1878)

Bunsen always looked back in later years upon his Roman time as men are apt to remember their college days. Right joyous had been his intercourse with artists such as Thorwaldsen, Rauch, Wolff, Cornelius, Schnorr, Overbeck, Schinkel, Felix Mendelssohn. He had become one of the best-informed men among art-collections, and was so attracted by the charms of Roman topography as to surrender to the temptation of contributing volumes to the German Description of Rome.
Source: Wikisource

Georg von Bunsen Encyclopædia Britannica, Ninth Edition (1878)

During this period of initiation into the mysteries of Papal statecraft, Bunsen had occasion to learn that the Vatican began, under the fostering care of the Jesuit order, to revive from the inanition into which the French Revolution and its effects had thrown it. So universal and so strong was the wave of reaction in those days throughout Europe, that Protestant and Catholic rulers agreed in the conviction that of all conservatism the apex and supreme exponent must be the Pope, as representing “the most ancient succession of sovereigns,” as “upholder of things as they are.”
Source: Wikisource

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