George Borrow

George Borrow

Summary

Portrait of George Borrow George Borrow The Bible in Spain

Had I been dreaming, I should almost have concluded it to be the genius of Africa, in the shape of its most puissant monster, who had bounded over the sea from the clime of sand and sun, bent on the destruction of the rival continent, more especially as the hue of its stony sides, its crest and chine, is tawny even as that of the hide of the desert king. A hostile lion has it almost invariably proved to Spain, at least since it first began to play a part in history, which was at the time when Tarik seized and fortified it.
Source: Gutenberg

Portrait of George Borrow George Borrow The Bible in Spain

I believe that no stronger argument can be brought forward in proof of the natural vigour and resources of Spain, and the sterling character of her population, than the fact that, at the present day, she is still a powerful and unexhausted country, and her children still, to a certain extent, a high-minded and great people. Yes, notwithstanding the misrule of the brutal and sensual Austrian, the doting Bourbon, and, above all, the spiritual tyranny of the court of Rome, Spain can still maintain her own, fight her own combat, and Spaniards are not yet fanatic slaves and crouching beggars.
Source: Gutenberg

Portrait of George Borrow George Borrow The Bible in Spain

Yonder in the distance, high and enormous, stands the Golden Tower, now used as a toll-house, but the principal bulwark of the city in the time of the Moors. It stands on the shore of the river, like a giant keeping watch, and is the first edifice which attracts the eye of the voyager as he moves up the stream to Seville. On the other side, opposite the tower, stands the noble Augustine convent, the ornament of the faubourg of Triana, whilst between the two edifices rolls the broad Guadalquivir, bearing on its bosom a flotilla of barks from Catalonia and Valencia.
Source: Gutenberg

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