George Byron Gordon

Summary

George Byron Gordon,  Century Magazine

“ The moral effect of the ruins on one who sojourns among them is not easily described. The more familiar they become, the more the mind is impressed with the strength and magnitude of the structures; with the character of the monuments, so elaborate in composition, so strange in design, so rich in ornament, and yet so perfectly unintelligible; the lavishness of the sculpture, its beauty and solemnity; and then, the silence, the desolation, and the mystery of it all. The cause of the city’s destruction we have yet to learn, but history is full of suggestions. ”
Source: Wikisource

George Byron Gordon,  Century Magazine

“ But there is nothing in all the sculptures at Copan to suggest the sacrifice of human or any other victims; nothing to recall the revolting traffic in human blood that was common in Mexico down to the time of the conquest; no trace of analogy with the frightful orgies that marred the history of the Aztecs, pervading every phase of their national life, finding constant expression in their decorative art, and filling their picture-written annals with scenes of blood. We would fain believe that the Mayas were a humane and gentle people, given to generous impulses and noble deeds ”
Source: Wikisource

George Byron Gordon,  Century Magazine

“ From the valley of Mexico, the center of its power and influence, the Aztec civilization at the time of the conquest had spread itself to the Gulf of Mexico and to the Pacific Ocean, to the river Panuco on the north and to the Gulf of Tehuantepec on the south, with small outlying colonies still farther south.
The broad plains of Yucatan and the fertile valleys of Central America comprise the theater where the much older Maya civilization had its rise, culmination, and decline—the unrecorded acts in a very imposing drama played long ago by actors whose names have been forgotten.
”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature