Summary

Portrait of George Eliot George Eliot The Mill on the Floss — Book 1… (1860)

It was altogether so embarrassing to be seated tête-à-tête with uncle Pullet, that Tom could not even look at the prints on the walls, or the flycages, or the wonderful flower-pots; he saw nothing but his uncle's gaiters. Not that Tom was in awe of his uncle's mental superiority; indeed, he had made up his mind that he didn't want to be a gentleman farmer, because he shouldn't like to be such a thin-legged, silly fellow as his uncle Pullet,–a molly-coddle, in fact. A boy's sheepishness is by no means a sign of overmastering reverence
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 1… (1860)

Tom could build perfect pyramids of houses; but Maggie's would never bear the laying on the roof. It was always so with the things that Maggie made; and Tom had deduced the conclusion that no girls could ever make anything. But it happened that Lucy proved wonderfully clever at building; she handled the cards so lightly, and moved so gently, that Tom condescended to admire her houses as well as his own, the more readily because she had asked him to teach her.
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 1… (1860)

In very tender years, when he still wore a lace border under his outdoor cap, he was often observed peeping through the bars of a gate and making minatory gestures with his small forefinger while he scolded the sheep with an inarticulate burr, intended to strike terror into their astonished minds; indicating thus early that desire for mastery over the inferior animals, wild and domestic, including cockchafers, neighbors' dogs, and small sisters, which in all ages has been an attribute of so much promise for the fortunes of our race.
Source: Wikisource

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