George Horace Lorimer

George Horace Lorimer

Summary

Portrait of George Horace Lorimer George Horace Lorimer The False Gods

Ghastly rays of yellow played over the painted faces on the walls and lit up the gilded features of the mummy by Mrs. Athelstone's desk. There were crimson spots, like blotches of blood, on the veil of Isis. And all about were moving shadows, creeping forward stealthily, falling back slowly, as the light without flared up or died down.
Step by step Simpkins advanced on the black altar, his muscles rigid, his nerves quivering, his eyes staring straight ahead, as a child stares into the dark for some awful shape which it fears to see, yet dares not leave unseen.
Source: Gutenberg

Portrait of George Horace Lorimer George Horace Lorimer The False Gods

The statue, seen from the level of the pedestal, had changed its whole expression. Hate glowed in its eyes; menace lived in every line of its face. The arms tightened slowly, inexorably; then, as quickly as they had closed, unclasped; and Simpkins half-slid, half-fell to the floor.
When the breath came back into his lungs and he found himself unharmed, he choked back the cry on his lips, for in that same moment a suspicion floated half-formed through his brain. He forced himself to climb up on the pedestal again, and made a careful inspection of the statue—but from behind this time.
Source: Gutenberg

Portrait of George Horace Lorimer George Horace Lorimer The False Gods

Then the rays of the lamp shone full into the open case, and Simpkins looked over the shoulders of the kneeling woman at the mummy of a man who had stood full six feet in life. He stared long at the face, seeking in those shriveled features a reason for the horror which grew in him as he gazed, trying to build back into life again that thing which once had been a man.
Source: Gutenberg

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