George Kibbe Turner

George Kibbe Turner

Summary

Portrait of George Kibbe Turner George Kibbe Turner,  Those Who Dance (1922)

“ THE dance of the Hectic Club was warming up well—both the bodies and the souls of its patrons as they looked down upon it—the slowly turning shoulders of the women, spotted with the green and yellow confetti, their very smooth or very ornate hair, their overbright complexions, their smiles and supple movements as they clung to the black coats of the heavier-moving men. Light, joyous young creatures, full of the exhilaration of the time—that time of color and warm odors and the glad insanity and forgetfulness of the jazz. ”
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner,  Those Who Dance (1922)

“ Death never lies so very far from the path of the good thief, even in his hours of pleasure—as the walls of old Jasper Hall could abundantly testify if they could but speak. A dispute over a dance between members of the Hectic Club, a few barks of the cannon outside the entrance, a scurry of feet, a dead man on the sidewalk, and inside—dancing still, perhaps—his widow.
They dance, the women of the thieves, perhaps more for excitement, to forget—more as an act of bravado, even, than the good thieves themselves.
”
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner,  Those Who Dance (1922)

“ There was one widow dancing that night, Flick Kramer, the woman of Black Tony Vachris—a white-faced girl, with a wide, thin line of reddened lips, who danced with all the more abandon and bravado among the heavy men and their slender thin-faced girls from her knowledge of the danger that was on—until at last, toward dawn, “the wireless” from police head quarters brought in the news of what had happened in the Jersey meadows. ”
Source: Wikisource

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