George Wardlaw Burnet

Summary

George Wardlaw Burnet Dictionary of National Biography… (1885)

He was a hard worker, and left many unexecuted designs. Barry devoted himself exclusively to no style, though he handled all with success. His methodical habit of mind and keen sense of proportion led no doubt to the preference for classic design in most of his compositions. He did not hesitate to declare his opinion that the prevalent taste for what was called ‘pure Gothic’ in architecture was no more than a passing fashion of the day, unsuited to the real demands of the people.
Source: Wikisource

George Wardlaw Burnet Dictionary of National Biography… (1885)

In street buildings, indeed, his leaning was towards a blending of classic and Gothic, such as occurs in one of his most successful designs, that for the new buildings in Temple Gardens on the Thames Embankment. And it was in the freedom afforded by the so-called Italian Renaissance that he seems to have found the happiest scope for the expression of his artistic ideas. Like his father he was eminently practical in architecture.
Source: Wikisource

George Wardlaw Burnet Dictionary of National Biography… (1890)

A facile sketcher, a good draughtsman, with a quick eye for proportion and harmonious groupings, a clear writer, an antiquary well versed in the architecture, furniture, and costume of all periods, a well-informed Shakespearean scholar, and an excellent lecturer, he found too wide a field for his many talents, and turned from the exercise of his profession to literature and the designing of art furniture.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature