Summary

Portrait of Gertrude Stein Gertrude Stein Tender Buttons; Objects Food Rooms (1914)

It is not astonishing that bones mingle as they vary not at all and in any case why is a bone outstanding, it is so because the circumstance that does not make a cake and character is so easily churned and cherished.
Mouse and mountain and a quiver, a quaint statue and pain in an exterior and silence more silence louder shows salmon a mischief intender. A cake, a real salve made of mutton and liquor, a specially retained rinsing and an established cork and blazing, this which resignation influences and restrains, restrains more altogether.
Source: Wikisource

Portrait of Gertrude Stein Gertrude Stein Tender Buttons; Objects Food Rooms (1914)

Any time there is a surface there is a surface and every time there is a suggestion there is a suggestion and every time there is silence there is silence and every time that is languid there is that there then and not oftener, not always, not particular, tender and changing and external and central and surrounded and singular and simple and the same and the surface and the circle and the shine and the succor and the white and the same and the better and the red and the same and the centre and the yellow and the tender and the better, and altogether.
Source: Wikisource

Portrait of Gertrude Stein Gertrude Stein Tender Buttons; Objects Food Rooms (1914)

A season of more is a season that is instead. A season of many is not more a season than most.
Take no remedy lightly, take no urging intently, take no separation leniently, beware of no lake and no larder.
Burden the cracked wet soaking sack heavily, burden it so that it is an institution in fright and in climate and in the best plan that there can be.
An ordinary color, a color is that strange mixture which makes, which does make which does not make a ripe juice, which does not make a mat.
Source: Wikisource

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