Summary

Portrait of Gilbert Parker Gilbert Parker The Translation of a Savage, Complete

When Francis Armour left his wife’s room he did not go to his own, but quietly descended the stairs, went to the library, and sat down. The loneliest thing in the world is to be tete-a-tete with one’s conscience. A man may have a bad hour with an enemy, a sad hour with a friend, a peaceful hour with himself, but when the little dwarf, conscience, perches upon every hillock of remembrance and makes slow signs—those strange symbols of the language of the soul—to him, no slave upon the tread-mill suffers more.
Source: Gutenberg

Portrait of Gilbert Parker Gilbert Parker The Translation of a Savage, Complete

When Marion was about leaving with her husband for the railway station, she sought out Lali, and found her standing half hidden by the curtains of a window, looking out at little Richard, who was parading his pony up and down before the house. An unutterable sweetness looked out of Marion’s eyes. She had found, as it seemed to her, and as so many have believed until their lives’ end, the secret of existence. Lali saw the glistening joy, and responded to it, just as it was in her being to respond to every change of nature—that sensitiveness was in her as deep as being.
Source: Gutenberg

Portrait of Gilbert Parker Gilbert Parker The Translation of a Savage, Complete

Such is the anxious mind of women on these occasions. The two stood and looked at each other a moment, each wondering what were the thoughts of the other. Lali was struck by that high, proud look over which lay a glamour of infinite satisfaction, of sweetness, which comes to every good woman’s face when she goes to the altar in a marriage which is not contingent on the rise or fall in stocks, or a satisfactory settlement. Marion, looking, saw, as if it had been revealed to her all at once, the intense and miraculous change which had come over the young wife, even within the past two months.
Source: Gutenberg

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