Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

But having said quite enough of Filarete, it is now time that I turn to Simone, [12] the brother of Donato. This master, after completing the door of San Pietro as above-said, constructed the bronze monument of Pope Martin, [13] also in bronze: he likewise executed some castings which were sent to France, with many others, the fate of which is not known. For the church of the Armenians, beside the mills in the city of Florence, Simone likewise constructed a crucifix of the size of life to be carried in the processions, and this he made of cork-tree, to render it the lighter.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

When these works were completed, Antonio was invited to Milan by the Duke Francesco Sforza, then Gonfaloniere of Holy Church, who had seen his works in Pome. Here he was commissioned to erect the hospital for the poor (Albergo de’ Poveri di Dio) , a refuge intended for the sick, both men and women, as well as for helpless innocents not legitimately born: [7] and this work Antonio accomplished after his own design. The division of the building set apart for men has an extent of 160 braccia in all directions, the structure being in the form of a cross: that for the women is of equal size.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

When Pope Eugenius IV. was raised to the pontifical throne, in the year 1431, and heard that the Florentines were causing the doors of San Giovanni to be executed by Lorenzo Ghiberti, [3] the thought occurred to him of making one of the doors of San Pietro of bronze, in like manner. [4] But as Eugenius did not himself understand works of that kind, he confided the care of th-e matter to his ministers, with whom Antonio Filarete, then very young, and Simone, the brother of Donato, both Florentine sculptors, had so much interest, that the work was entrusted to them.
Source: Wikisource

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