Frank Jewett Mather, A history of Italian painting (1923)
“ There is a refinement which is the harbinger of death. It appears in Siena in the person of Neroccio di Landi. He sublimates the style of his great predecessors, Simone and Sassetta, adding freely the more delicate ornamentation of the Renaissance. There is a peculiar pallor in his coloring and tension in his modelling. It is an art of nerves and ecstasies, wholly etherial. An admirable Annunciation in the Jarves Collection at New Haven shows the rich setting, the odd blend of precision with a languor that marks Neroccio as true grandson of Simone Martini. ”
