Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

AND BERNARDO, HIS BROTHER.
[Antonio, born 1427, died about 1490—Bernardo, bom 1409, died about 1470.]
It has in truth been ever a priseworthy and virtuous thing to possess modesty, and to be adorned with those amiable qualities and rare gifts, so clearly to be perceived in the honourable conduct of the sculptor Antonio Rossellino, [1] an artist, who pursued his calling with such devotion and so much grace that he was esteemed something more than man by all who knew him, and was venerated almost as a saint for the admirable virtues which he added to his knowledge of art.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

For after Donatello, it is Antonio, who has effected the most towards adding a certain delicacy and refinement to works in sculpture, seeking to perforate in some parts, and in others to round his figures in such a manner, that they appear in full relief and well finished in every part, a point which until that time had not been seen to be so perfectly attended to in sculpture, but the method, having been first introduced by him, has since, in the times more immediately following, and in our own, been over adopted and acknowledged to be admirable.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

What dignity would it not have imparted to the holy Eoman church, to see the supreme Pontiff, the chief thereof, assemble around him all the servants and ministers of God dwelling in the city of Rome, and unite them as in a renowned and most holy monastery, where, as it were in a new terrestrial Paradise, they might have lived a heavenly, angelic, and most holy life, presenting an example to all Christendom, and awakening even the minds of infidels to the true worship of God and the blessed Saviour!
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature