Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — The Marble Saloon (1860)

This rich hall of Monte Beni, moreover, was adorned, at its upper end, with two pillars that seemed to consist of Oriental alabaster; and wherever there was a space vacant of precious and variegated marble, it was frescoed with ornaments in arabesque. Above, there was a coved and vaulted ceiling, glowing with pictured scenes, which affected Kenyon with a vague sense of splendor, without his twisting his neck to gaze at them.
It is one of the special excellences of such a saloon of polished and richly colored marble, that decay can never tarnish it.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — The Marble Saloon (1860)

But what benumbs me, what robs me of all power,-it is no secret for a woman to tell a man, yet I care not though you know it, --is the certainty that I am, and must ever be, an object of horror in Donatello's sight."
The sculptor--a young man, and cherishing a love which insulated him from the wild experiences which some men gather--was startled to perceive how Miriam's rich, ill-regulated nature impelled her to fling herself, conscience and all, on one passion, the object of which intellectually seemed far beneath her.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — The Marble Saloon (1860)

It is my too redundant energy that is slowly--or perhaps rapidly--wearing me away, because I can apply it to no use. The object, which I am bound to consider my only one on earth, fails me utterly. The sacrifice which I yearn to make of myself, my hopes, my everything, is coldly put aside. Nothing is left for me but to brood, brood, brood, all day, all night, in unprofitable longings and repinings."
"This is very sad, Miriam," said Kenyon.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature