Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — The Pedigree of Monte Beni (1860)

But they enlarged--and never were weary of the theme--upon the blithesome effects of Donatello's presence in his rosy childhood and budding youth. Their hovels had always glowed like sunshine when he entered them; so that, as the peasants expressed it, their young master had never darkened a doorway in his life. He was the soul of vintage festivals. While he was a mere infant, scarcely able to run alone, it had been the custom to make him tread the winepress with his tender little feet, if it were only to crush one cluster of the grapes.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — The Pedigree of Monte Beni (1860)

No life now wanders like an unfettered stream; there is a mill-wheel for the tiniest rivulet to turn. We go all wrong, by too strenuous a resolution to go all right.
Therefore it was--so, at least, the sculptor thought, although partly suspicious of Donatello's darker misfortune--that the young Count found it impossible nowadays to be what his forefathers had been. He could not live their healthy life of animal spirits, in their sympathy with nature, and brotherhood with all that breathed around them.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — The Pedigree of Monte Beni (1860)

From this union sprang a vigorous progeny that took its place unquestioned among human families. In that age, however, and long afterwards, it showed the ineffaceable lineaments of its wild paternity: it was a pleasant and kindly race of men, but capable of savage fierceness, and never quite restrainable within the trammels of social law. They were strong, active, genial, cheerful as the sunshine, passionate as the tornado. Their lives were rendered blissful by art unsought harmony with nature.
Source: Wikisource

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