Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

No sooner had Francesco attained to some little height than he began to manifest his inclination to art, and before he had well taken the pen in hand to learn to write, he began to produce works in design. Impelled as he was by the force of Nature, which had destined him at his birth to be a painter, he began to do things, I say, which awakened surprise in all who beheld them. The master who taught him to write, perceiving this, and persuaded that the genius of the child must in time produce great results, advised his uncles to devote him to the study of design and painting.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Francesco was a singularly handsome youth, his countenance and aspect were exceedingly graceful, and such as might beseem an angel rather than a man, his portrait in that glass was therefore like something divine, nay, the whole work succeeded so admirably well that the true objects were not in any respect different to those therein depicted; the lustre of the glass, and every reflection thereon, with all the lights and shadows, were so true and real, that better could not be expected from the genius of man.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

If Francesco, who had been endowed by Nature with a most animated genius and a manner of the utmost grace and beauty, had continued the daily practice of his art, he would without doubt have made such progress, that, as we now admire the pleasing expression and grace which he imparted to his heads, so we should in that case have seen him giving evidence, in the perfection of his design, the excellence of his manner, and the beauty of the whole work, that he had far surpassed his earlier self as well as others.
Source: Wikisource

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