Gore Vidal

Gore Vidal

Messiah (1954)

Summary

Portrait of Gore Vidal Gore Vidal,  Messiah (1954)

“ I looked at Clarissa with momentary dislike. “I was not aware....” I began in a chilled voice but she interrupted me with an airy wave of her hand.
“I forget no one likes to be called naive ... calculating, dishonest, treacherous, people rather revel in those designations, but to be thought trusting....” She clapped her hands as though to punctuate her meaning; then, after a full stop, she went on more soberly. “Iris is the one to look out for. Our own sweet, self-effacing, dedicated Iris. I adore her; I always have, but she’s up to no good.”
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Source: Gutenberg

Portrait of Gore Vidal Gore Vidal,  Messiah (1954)

“ I glanced at Iris while I spoke; she had grown white and old-looking and, while I watched her, I realized whom it was she resembled, the obscure nagging memory which had disturbed me all through dinner: she was like my mother, a woman long dead, one whose gentle blurred features had been strikingly similar to that frightened face which now stared at me as though I were a murderer.
Paul was the one who answered me. “You’re out of your mind, Gene,” he said, when my meaning had at least penetrated to them all. “It doesn’t follow in the least that Cave must die because others want to.
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Source: Gutenberg

Portrait of Gore Vidal Gore Vidal,  Messiah (1954)

“ Death was to be embraced with passion; life was the criminal; death the better reality; consciousness was an evil which, in death’s oblivion, met its true fate ... man’s one perfect virtuous act was the sacrifice of his own consciousness to the pure nothing from which, by grim accident, it had come, a malignancy in creation. The Chief Resident of Dallas was most eloquent, and chilling.
Even sequestered in my room, I caught some of the excitement which circled the globe like a lightning storm. Thirty-five hundred suicides were reported within forty-eight hours of Cave’s death.
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Source: Gutenberg

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