Gore Vidal

Biographical details

Portrait of Gore Vidal Gore Vidal,  Messiah (1954)

“ I looked at Clarissa with momentary dislike. “I was not aware....” I began in a chilled voice but she interrupted me with an airy wave of her hand.
“I forget no one likes to be called naive ... calculating, dishonest, treacherous, people rather revel in those designations, but to be thought trusting....” She clapped her hands as though to punctuate her meaning; then, after a full stop, she went on more soberly. “Iris is the one to look out for. Our own sweet, self-effacing, dedicated Iris. I adore her; I always have, but she’s up to no good.”
”
Source: Gutenberg

Portrait of Gore Vidal Gore Vidal,  In a Yellow Wood

“ Not a really individual noise, not like an Italian crowd, hoarse and insistent, but a roar with sharp breaks and a rhythm like an automobile engine, a noise like a discordant piece of music with the rumblings of a subway train as a bass. The conversations of many people made a sound as soothing and as natural as the sea but the mechanical things made sharp overtones, set the rhythm of Times Square and of many lives.
Slowly Carla and Robert Holton allowed themselves to become a part of the current of people, gliding with them toward the north end of the square.
”
Source: Gutenberg

Portrait of Gore Vidal Gore Vidal,  Messiah (1954)

“ I glanced at Iris while I spoke; she had grown white and old-looking and, while I watched her, I realized whom it was she resembled, the obscure nagging memory which had disturbed me all through dinner: she was like my mother, a woman long dead, one whose gentle blurred features had been strikingly similar to that frightened face which now stared at me as though I were a murderer.
Paul was the one who answered me. “You’re out of your mind, Gene,” he said, when my meaning had at least penetrated to them all. “It doesn’t follow in the least that Cave must die because others want to.
”
Source: Gutenberg

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