Summary

Portrait of Grace Ellison Grace Ellison An Englishwoman in Angora

Naturally, then, seeing what the Vatican owes to Turkey, and Turkey to the Vatican, the Pope is interested in the personality of M. Kemal Pasha, and proved very willing to hear what a Western woman, with opportunities in the past of studying Turkish home life, knows of this great Nationalist hero.
Anyone who has seen the ceremonies at the Vatican must be impressed by their great spectacular beauty. The Church of Rome has given the world some of its finest art, literature and music. And at the Vatican itself, wherever the eye wanders, there is beauty—beauty of architecture, beauty of colouring.
Source: Gutenberg

Portrait of Grace Ellison Grace Ellison An Englishwoman in Angora

Even now, I cannot say all it has cost me to reach Angora!
Mustapha Kemal must put on record “The Birth of 185a Nation”; and from Halidé Hanoum we want the thousand and one pictures of the agony of simple folk—desolate village homes, women who weep and work, the little ones crying, “What is it, mother?”; all that war means to men, all that men can endure for liberty and the right.
“What does it matter,” she has written, “though the world call us pariah? We will die with honour. What does it matter if food be denied us by all our neighbours?
Source: Gutenberg

Portrait of Grace Ellison Grace Ellison An Englishwoman in Angora

From Malta to Athens, indeed, is not a long run; but when every moment you are tossed from side to side, at the mercy of all the winds in heaven, most things have a disagreeable look. As we approached the brown and arid coast of this historic peninsula, I thought how unjust it seems to have driven the Ottoman Greeks out of fertile Turkey to a fatherland that cannot feed them. You cannot obtain blood from a stone, nor fruitful crops from an unfertile soil. What is Greece to do for these poor people, who cannot all turn merchants or moneylenders?
Source: Gutenberg

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