Summary

Portrait of H. L. Mencken H. L. Mencken The American Language — Its Origin and Nature (1919)

Nothing could be more absurd. The business of writing English, in his day, was unharassed by the proscriptions of purists, and so the vocabulary could be enriched more facilely than today, but though Shakespeare and his fellow-dramatists quickly adopted such neologisms as to bustle, to huddle, bump, hubbub and pat, it goes without saying that they exercised a sound discretion and that the slang of the Bankside was full of words and phrases which they were never tempted to use. In our own day the same discrimination is exercised by all writers of sound taste.
Source: Wikisource

Portrait of H. L. Mencken H. L. Mencken The American Language — Its Origin and Nature (1919)

George Ade, undoubtedly one of the most adept anatomists of the American character and painters of the American scene that the national literature has yet developed, is neglected because his work is grounded firmly upon the national speech—not that he reports it literally, like Lardner and the hacks trailing after Lardner, but that he gets at and exhibits its very essence.
Source: Wikisource

Portrait of H. L. Mencken H. L. Mencken The American Language — Its Origin and Nature (1919)

Awful sweet” and “awfully dear” still seem slangy and school-girlish, but “awful children” and “awful job” have entirely sound support, and no one save a pedant would hesitate to use them. Such insidious purifications and conscrations of slang are going on under our noses all the time. The use of some as a general adjective-adverb seems likely to make its way in the same manner, and so does the use of kick as verb and noun. It is constantly forgotten by purists of defective philological equipment that a great many of our respectable words and phrases originated in the plainest sort of slang.
Source: Wikisource

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