Summary

Portrait of H. L. Mencken H. L. Mencken The American Language — The View of Writing Men (1919)

The critics, like awe-inspiring and awe-inspired governesses, take pains to remind their pupils that Americanisms are not nice, and are not written by well-bred little writers. When you stop to think of it, isn’t this monstrously absurd, contemptible, and servilely colonial?... Why should we fail to realize that all our arts must be American to be great? Why should we permit the survival of the curious notion that our language is a mere loan from England, like a copper kettle that we must keep scoured and return without a dent?
Source: Wikisource

Portrait of H. L. Mencken H. L. Mencken The American Language — The View of Writing Men (1919)

Language is made by the people; it is only fixed by writers and orators. When language, especially that of poetry, is too far removed from that of the people, it becomes conventional and hieratic, like church Latin; or languid and degenerate, like modern official French poetry. When language is conventionally used by writers it becomes burdened with clichés and dead phrases. If American soldiers, newspapers and popular novels are evidence, it is clear that the American people is evolving a new language, full of vigorous and racy expressions.
Source: Wikisource

Portrait of H. L. Mencken H. L. Mencken The American Language — The View of Writing Men (1919)

The vague and unformulated idea behind all such petty cavillings is that the English language is in danger of being corrupted by the importation of Americanisms and that it behooves us to establish a sort of quarantine in order to keep out the detrimental germs. This notion is simply one of the milder phases of the Great Stupidity. The current English of today owes a great deal to America, and though certain American writers carry to excess the cult of slang, that tendency is not in the least affecting serious American literature and journalism.
Source: Wikisource

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